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Category: Storytelling
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The End is Only the Beginning
When you’re writing your novel, story, or screenplay, the end of your story may seem like an eternity away. It might even seem like the easiest part of the process to ignore, but that couldn’t be further from the truth. Your ending doesn’t have to be epic or grandiose; it just needs to wrap up your plot and characters in such a way that readers feel fulfilled by their time spent with your story world and characters, as well as eager to get back into that world through future books/stories in your series.
If you truly want to show off your skills, you need to craft a great ending, one that ties up any loose ends and brings closure to the story. This can be difficult if you haven’t planned and left yourself room to add an ending chapter or epilogue. Here are some tips on how to write a satisfying ending that will leave your readers wanting more… and maybe even clamoring for another book from you!
Planning For an End
It’s important to know how you want your story to end before you write. This will give you a goal to work towards and help keep you from getting stuck along the way. Once you have an ending in mind, start planning for it by planting clues and foreshadowing throughout your story. This will make the ending feel earned and satisfying for both you and your readers. Finally, don’t be afraid to change your plans as you go. Sometimes the best endings are the ones we didn’t see coming.
With this in mind, when you’re halfway through your story, try to step back and ask yourself if there’s another way it could turn out that would be more interesting or surprising. If so, take a stab at rewriting the final few chapters with this new information. And always remember – not every story needs to end happily ever after!
It can be hard knowing when enough is enough though, which is why it helps to spend some time thinking about what kind of ending you want so that you’ll know when you’ve found it!
Knowing When Your Story is Over
It’s difficult to know when your story is truly over. You may have reached the end of your plot, but there are still loose ends that need to be tied up. Or you may feel you could keep going, but you’re not sure if you have anything else to say.
Here are a few tips for knowing when your story is over:
- 1) The character arc is complete (e.g., they’ve learned their lesson and changed).
- 2) The external conflict has been resolved.
- 3) There’s an important event in the character’s life (e.g., death, birth, marriage), and it feels right to end it there.
- 4) If something happened which means that life will never be the same – sometimes called a crisis point – and it feels right to leave things where they are now.
When you realize your story is done, be proud of yourself! Finishing a book or blog post requires commitment and hard work. Now is the time to go back through and make sure everything lines up with your original vision. Make any necessary changes to make it clear what needs to happen next, or what you want readers to take away from the story. And finally, write that last sentence! Be brave and bold as you craft an ending that feels fitting for your characters. Good luck with bringing it home!
There’s More Than One Way to Finish
It’s helpful to consider all the ways your story could end before you decide on the perfect one. What would be the most satisfying for your readers? The most unexpected? The one that ties up all the loose ends? Once you’ve considered all of your options, you can choose the ending that feels right for your story.
If you are writing a romance novel, maybe an unlikely couple gets together in the end, and they live happily ever after. Or maybe there’s only love between two people, but it’s not romantic love and they stay friends forever. Here, it might be better to have them live their separate lives with fond memories of each other rather than get together at the last minute.
Either way, make sure that your readers are the focus. What would be the most satisfying for your readers? Once you’ve considered all of your options, you can choose the ending that feels right for your story.
Showing, Not Telling
Sometimes ‘Happily Ever After’ is just not informative enough. If you’ve crafted engaging characters, your readers may feel that there is something missing from the story. Giving closure is important, even in an ongoing series. Closure, though, doesn’t have to mean a finite conclusion to the overall story arc. Sometimes it simply means the reader has been given satisfaction.
The best way to end your story is to show, not tell. By this, we mean you should avoid simply summarizing what happened in the story. Instead, try to include a scene that shows the overall theme or moral of the story. This will leave readers with a lasting impression and will make them more likely to remember your story. It also allows you to weave any other important messages about life into the ending.
An example might be Alice (character) realizes something destined her for greatness, but she doesn’t know how or when her great destiny will be fulfilled. Her dad tells her it’ll come eventually, because it always does. Here, her dad can represent all fathers who encourage their children to believe in themselves and keep trying until they find their success.
This kind of ending leaves readers feeling satisfied as they walk away from the book, knowing that their struggles were worth it in the end! A satisfying ending could look like this:
Alice looked up at her father. His words rang true. He was right-the hard work was worth it. She would conquer heights never reached by anyone else. And she could - no, she would - keep climbing.
Epilogue or Sequel?
You’ve spent hours, days, weeks, months, maybe even years writing your story. You’ve poured your heart and soul into it, and now it’s time to bring it to a close. But how? Do you go for the classic epilogue, or do you opt for a sequel?
Here are some things to consider when making your decision:
- 1) Is there anything else left unsaid that needs to be addressed?
- 2) Is there any loose ends that need tying up?
- 3) Will you be able to return to this world later if needed (perhaps in another novel)?
- 4) If you do not intend to continue this series in the future, an epilogue might work best as a satisfying ending.
- 5) If you plan on continuing this series with future books, a sequel might be more appropriate as it will allow readers to revisit their favorite characters and continue their journey with them.
- 6) Remember that whatever option you choose should leave readers feeling satisfied with what they have read; while they may wish for more of your work, they should not feel dissatisfied by what they read.
It can be difficult deciding which path to take. Some people lean towards an epilogue because it leaves something unresolved and open-ended, but then others say that a sequel leaves the reader yearning for more closure. In the end, there is no right answer.
It comes down to what you think would satisfy your readers most based on where you want your story to go from here. It doesn’t matter whether you choose one path over another. Just give yourself enough space between installments so that fans can keep coming back!
One Part of a Series? Remind the Readers
If your story is part of a series, it’s important to remind readers that this is just one part of the story. By doing so, you can leave them wanting more and looking forward to the next installment.
Here are some tips for how to do just that:
- 1) Create anticipation by ending on a cliffhanger or suspenseful moment.
- 2) End with an unanswered question or thought-provoking situation.
- 3) Let readers know that there will be another book in the series (i.e., Stay tuned for Book Two).
- 4) Mention what they can expect in the next book in the series
- 5) Provide hints about what to expect in the next book.
- 6) Leave a teaser at the end of the current chapter
- 7) Introduce something new at the end of each chapter to keep readers interested.
- 8) Keep the reader guessing until the very end.
- 9) Hide information and surprises until near the climax of your story.
- 10) If your character has questions, use these as hooks to continue on to the next book.
- 11) Avoid leaving your readers feeling confused or disoriented. Make sure you clearly understand where to go from here.
- 12) Do not give away all the plot twists beforehand.
While it’s unnecessary to show every detail that you intend to address in your story, it’s helpful for readers if you give them an overview of what they can expect. This will ensure that they are invested in your story and looking forward to reading more.
Trust Your Instincts
Follow your gut—if something feels off, it probably is. The same goes for your story. If you’re not sure how to end it, trust your instincts. Chances are, you already know the answer. You just need to get there in the right way. One way is by giving readers a hint about what’s going on and bringing it all together at the end of your story.
It might tempt you to go for an overly dramatic ending or one that’s too tidy but can feel unsatisfying if you haven’t laid enough groundwork beforehand. Consider what might happen after this scene has concluded-is there any unfinished business? Will these characters have an epiphany or change their minds? Keep in mind that they may not immediately have an epiphany or make changes. Sometimes they need time to process everything before they make their final decision (or the author needs more time!).
If your protagonist doesn’t ultimately get what he or she wants, then maybe it’s because life doesn’t always work out as we want it to. But don’t worry! There are other ways to write satisfying endings without giving away the big reveal. One is by revealing some part of the protagonist’s backstory earlier in the story, which ends up being integral to why he/she does what he/she does at the end. Another way is by explaining why things happened or didn’t happen during the story. Readers crave closure, so tying up loose ends can also satisfy them.
A Satisfying Ending is Within Reach
No matter how you choose to end your story, know that a satisfying finale is within reach. Lean into the research and story crafting that brought you this far. Embrace what has made your work unique. Use your words for the good of your reader’s heart (and their sanity). Make sure your ending does not undo all the hard work you have done in getting here. There are many ways to wrap up a story satisfactorily. It just takes some time and creativity on your part!
-R.E.
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The Nine Notes of a Well Sung Story
Every song starts somewhere. We don’t think of it as ‘starting,’ unless we expect to sing the song. Birthday parties, concerts, even alone in our cars, we know the beginning of a song. We know, too, when it gets good, when the pitch changes, and when the singer hits that note. The one we probably shouldn’t keep attempting. If I focus on the moments behind the main plot points of my story, I can really make them sing. Here are the Nine Notes of a Well Sung Story.
The Hook
I know within a few seconds what kind of song I’m listening to. The instruments are all introduced; they set the mood; lyrics draw me in. The same is true of stories. In a few pages, I need to present a complete picture of the world that I have invited the reader in to. I need to set the stage and show the band. There will be one note in particular – the hook – that peaks the reader’s interest. If I don’t play it at the right time, they’ll never hear it and may not bother to listen to the rest of the song.
Without a good hook, the story sounds more like a research report. Rather than the beginning to an adventure of discovery, the reader feels invited to leave the conversation altogether. There is no need to divulge all of your truths or spoil the ending you have planned, but here is where you tell the reader that the ending is worth the wait. The reader should feel a beckoning, a newfound purpose – to read the story, to hear the rest of the song. Once you have the reader’s ear, though, the work is just beginning.
Crescendo
“Let’s see where this goes.”
My preference is escalation. It’s a good time to speed up the beat. Bring in a fresh voice and let it present a counter melody. Create a sense of urgency that makes the reader want to skip ahead to the chorus just to verify their lofty expectations. Hold them, though. Don’t let them get away. Here is where you define the story, the way ahead. Here is where the lyrics unfold like thick ribbons and wrap the listener in the weighted blanket of thought.
You’ve introduced the band, now a familiar song plays. An old one, popular but from their earlier work. Nostalgia appears peppered through the crowd as whispered singing. The stragglers shuffle in, called by the siren sound of anticipation. They take their seats…
The Minor Fall
Following the first plot point, the story takes a turn. A new verse plays. Not a different one, but an entirely new one. Instruments the band has never used before take center. The drums fade out. This is no chorus. This is an affront to the song itself, a sudden refrain cutting through the predicted lyrics. The protagonist has had their world shaken.
Here, lean into the somber melody that haunts the higher frequency just out of audible range. Don’t linger, but let the feeling stay awhile. Let it sink in like blotted ink and spread throughout the pages. If the hook and buildup were effective, the song still has its listeners. Listeners that are invested in every note. This change will, rather than shake them, draw them in more.
Solo
Sometimes a singer or instrument hits a note that vibrates more than just the air. Faces seem to wince in pleasure, heads tilt as if to let the results of that brief pleasure spill from a down-turned ear. Nearing the midpoint of your story, the protagonist will find their world forever changed. They will find that they are out of tune with the new world. This realization is sharp and cuts like an eclipsian contrast across the landscape.
The audience has unknowingly fallen into the doldrums of a low melody made aware only thanks to a piercingly discordant twang that tilts their heads, makes them wince. More than anything, though, this realization note should resonate with the reader on a deeper level than the preceding prose. Humans live in cycles of wins and losses and those moments between them define us. Hit the note again. Then hit it again.
The First Chorus
It’s time for the audience to stop reacting. This song belongs to them. Where the realization leads into the midpoint of your story, this moment escorts the reader back out. The true power of the song is shining through. The reader is singing along. All the instruments have a say here. All the voices as well. There may be surprises later, but none that I haven’t at least hinted at by the end of this all important note. The story derives its title from this moment.
These are the words that the audience will sing in the parking lot, in their cars, long after the show. The hero of the story, with a new understanding of the path ahead, can make the preparations needed to survive. In the meantime, they thrive. If there is a mountain that the protagonist intends to climb, the first chorus is the training montage.
The Major Lift
The only way to predict change is to enact it. Or, y’know, move past the midpoint of a good story. Change is as good for writers as it is protagonists. Here the hero reaches the peak that they so long prepared to ascend. Your reader should feel the elation surging through the pages. In terms of the perfect song, this is where the crowd is emotionally as one.
Lighters dot the sunken canopy. More rush to join, like fireflies called to dance in moonlit glades, creating a star scattered reflection of the moment – the major lift. The rhythm here is steady, confident. A metered march where once uncertain ambling took center stage. There is a definite destination here, and the reader knows it. Keep your pace. They’ll likely move a couple of steps ahead of you…
The Bridge
Another abrupt change. Swayed by the euphoria of the previous note, the audience takes the reins prematurely. They belt out the first words of the chorus before seeing their error. That peak was only the beginning. A far larger mountain looms in the distance.
You charlatan.
Following the major lift, the third plot point shatters the protagonist. It should shatter the reader as well. Having been so invested in the singular goal of reaching the peak, learning it was merely a precursor can break anyone. This is the recovery phase. This is the bridge, a moment of change defined by tension that breaks up the expected exchange between chorus and verse. A time for the protagonist where reflection on how far they have come gets shadow stricken and diminished by the hulking figure of where they must now go. Through the bridge, they gather themselves and push forward.
Second Chorus
The chorus again. Harder now, and faster. Each movement is precise and practiced. Every note perfected during the first chorus gets put to good use here. The reader, the audience, you owe them this release. Let the world explode into a jubilant vibration of song. This is the confrontation – the moment where wins and losses are tangible, permanent.
The audience can hear the desperation, the finality, the strain against going back ever again when forward promises an end to the pain. Drums thrum like a clash of swords over a lightning lit precipice. The weight of the moment is unrelenting. They know these words and they refuse to let go until they have had their say. When they are ready, they reach the last note as one with the band, holding it, extending the moment. Finally, it’s done. Everyone can breathe. The protagonist has won the day or lost everything.
Coda
The perfect song’s outro is the story’s resolution. This is your chance for a neat little bow, or teaser, if you’ve planned a sequel. This is the last note before the crowd shuffles towards the exits, happy to have experienced the music but sad to say goodbye. The curtains close, the lights go down, the hope for an encore fades into the night. The buzz is still in the air, though. Some will no doubt sing the song on the way home, tilting their heads at an imaginary twang.
The end is only the beginning. Gently lower the reader from the heights of the story’s climax onto the soft cushion of closure. Recall the world that was once the normal, the hopes that the hero had to abandon and how they relate to their new circumstances. Escort the audience back around to the beginning of the song to make it easier for them to play it again. If you’ve hit all the right notes, hearing the song again is exactly what they will want to do.
We know when the song ends. The same is true for stories. As we read them, we can feel the crescendo welling up to prepare for an epic climax. When they slow too much, we can feel the weight of them sag like sandbags against the side of a hot-air balloon. Whether you’re a pantser or a plotter, by following a structure, you can ensure that every note gets played right when you need the reader to hear it. When I write a story, I listen for nine specific notes. If they don’t ring out, I know it’s time for some changes. When I get it right, it’s music to my ears.
-R.E.
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Bring On The Backstories!
What makes a character seem real? Why do we empathize with some characters and not others? Backstory. Every character has one, even if we don’t know it (we’ll come back to this later). It’s what gives them depth and makes them relatable (or not). A well-rounded character needs a backstory. Why are they the way they are? To create a believable character, you need to answer these questions. You can use poetry and songwriting to explore your character’s past and help flesh them out. When writing backstories for my characters, I find it helpful to come up with three questions that might get me started with the answers I’m looking for. These include ‘What is their favorite memory?’ ‘What are their deepest hopes?’ and ‘What is their biggest fear?’.
Write What You Know
If you need inspiration, think back to your own life: where did you get the idea for your first job? What were some defining moments in school? How did certain relationships form or end? What were some of the other parts of life that contributed to making you who you are today? Remembering these things might help jog your creativity when trying to write the backstory of one of your characters. For example, you may find an interesting way to show how a character was rebellious as a child and how this impacted their decision-making later on in life. You could also make sure that any time something happens in the story, it’s always filtered through what your character would remember from his/her past.
If you’re feeling stuck with this task, try thinking about why it is important to understand a character’s background. Knowing where they came from will give you insight into why they do what they do now. By understanding where they come from, readers are more invested in them. When people read stories with compelling characters and believable backstories, they often feel connected to them. These connections make for longer reading sessions because readers care more about what happens next!
Foundations
Backstory is the history and events that made your character who they are. It includes their experiences, their relationships, and the formative moments that shaped them into the person they are today. Without one, your characters will feel flat and two-dimensional. A well-developed backstory can make them feel real and relatable to your readers. Without a strong – or at least interesting – foundation, your characters will seem unsteady and crumble at the slightest inspection.
A backstory helps ground readers in who your character is, what they care about, and where they come from. You can use this as an opportunity to let them grow as you’re writing. To show that someone who once was self-involved can now put themselves aside for others. Or maybe that someone who once had no experience with trauma has experienced something traumatic and can’t stop thinking about it. You can even show that someone who once only knew superficial relationships has found their person and knows what it means to have deep connections with people. The key is showing those changes rather than telling them outright. That starts with showing, not telling, the backstory. Not a simple task, but for a worthy character, it is an effort worth taking.
The backstory is a lot more than just learning how they got their scars or what made them a particular way. It goes beyond that and shows something about who they are as a person and how they see themselves in relation to others. At its most basic, show at least one major event in their past. A moment that impacted who they are now and influenced how they grew up. This can be trauma – like being kidnapped or witnessing a murder – or positive experiences, like winning an award for athleticism or helping someone when no one else would. Those brief moments change us into who we are today and influence our future decisions. They also create a sense of continuity between your current story and what came before. These moments can act as catalysts for future events, which help lead them towards who they become.
Before the Hook
The backstory should contain information and events that occur prior to the hook. That doesn’t mean they need to be read then. In terms of story structure, the hook will always come first. We should weave backstory throughout the entire story, offering insight during times of character growth. The more a reader gets a sense of who the protagonist is, where they came from, what they care about most in life, etc., the more empathy they’ll feel for them. We want readers to care about our characters because it makes them more real. Real people have history. You can’t really know someone without knowing their past. Empathy with the protagonist leads to empathy with other characters and a desire to find out how everyone ends up – which leads back to page one.
A character’s history is all the stuff that happened before your story starts. It’s their life up to where your story begins. History is also a part of who a character is, but it doesn’t have to be made explicit in order for the reader to understand. The reader will know what type of person they are based on their interactions with other characters in your story. Sometimes, this will be enough, but there may be instances where including the character’s backstory adds more depth or intrigue to a plot line.
Rounding Up
A well-rounded character will feel real to your readers and make your story more engaging. Try asking yourself these questions about your characters: What is their name? Where do they live? What is their occupation? How do they spend time outside of work? Who are the people in their life that care about them the most? What were some things that happened in their childhood or adolescence that shaped them into who they are today? Do they have any hobbies or interests that consume their free time? Is there something significant in their past that makes them act how they do now? If so, how did it happen and why does it still matter to them? Even if you don’t use all this information when writing your story, it will help you create realistic dialogue for your characters and flesh out minor details that may not be important for the plot but add depth to their personalities. Asking these questions about your characters before you write will also save you a lot of editing later on because you’ll know exactly who they are.
It’s not just an author trying to make us cry or scream, but using emotional connections as a means of storytelling. For example, by understanding a character like Darth Vader as a tragic figure, he becomes more human. It’s hard not to pity him when we understand his struggle with being born into such terrible circumstances and seeing everything he loved taken away from him. We’re able to see his journey through his anger-fueled actions and empathize with him. He became evil in order to survive in a world gone mad – it was all he knew how to do anymore. And even though we hate him now (and will never stop loving him for it) we still understand why he did those things: the pain inside drove him on relentlessly until he had nothing left but anger and a super cool voice.
Settings
Settings can be meaningful characters, too. In such cases, settings should also have meaningful backstories of their own. Otherwise, they become mere props in the story. A setting is more than just where the story takes place. It has a personality and uniqueness all its own. If you think about how this or that place came to be, you’ll discover additional aspects of it that will make your writing richer and more layered. The tree that your protagonist leans against for a moment’s respite may come back around as a symbol of peace later. Why not give it a history of providing others such relief? When was it planted, who else leans? What did they pray over while resting there? What stories did people tell one another when sitting beneath it together at sunset? How old is it now, and what do the leaves look like? There are so many possibilities! You never know what details might stick out in someone’s mind if they’re walking through your setting.
Back it Up
When you create a backstory, remember that it should be consistent with your other descriptions of the character: age, temperament, socio-economic status, etc., but unique enough so that it stands out and doesn’t feel like filler information. Creating believable character backstories can be challenging. If you do it correctly, you will reap its benefits when crafting your narrative.
When you craft a worthy backstory, it’s like adding in backup dancers to flesh out a performance. You’ve already got the key players on stage, now add some surprise elements for interest. Just as we might see subtle gestures from background dancers (or ballerinas) that are not part of the choreography but add depth to the dance piece, a well thought out backstory for your protagonist helps bring them alive in our minds and evoke their humanity.
-R.E.
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Poetry, Songs, and Lore
Creating worlds and crafting stories can be an enjoyable and rewarding process. However, crafting your world down to the smallest detail can take time and energy, and sometimes it’s hard to figure out how everything fits together in your universe. This is where lore comes in. It’s a great way to add depth and weight to your world without taking too much of your precious writing time away from the story itself. World building is one of the most important parts of any story. It’s also one of the most daunting things to think about, especially if you’re new to the world-building game. This guide will give you everything you need to know about creating your own worlds through song and poetry and lore.
What is Lore?
Lore is the body of knowledge, myths, and stories that a culture or group has accumulated. It can create a sense of identity and belonging, as well as to teach lessons and impart values. In terms of world-building, lore can help add history and depth to your fictional world. For example, Tolkien’s Middle Earth mythos is rich in folklore and song lyrics that illustrate different aspects of his created world such as its creation mythologies, languages, magic systems, etc. Characters are often seen singing or reciting songs which offer an insight into their character while simultaneously enriching the story’s background.
There’s no secret to great lore, but there are definitely some things you can do to make sure your world-building is as strong as it can be. For starters, focus on creating a detailed history and backstory for your world. Think about the major events that have shaped it, and the people and cultures that inhabit it. Then, start writing poems and songs that help tell the story of your world. Not only will this add depth and richness to your world-building, but it will also give you a creative outlet to explore your world in new ways. You’ll likely research parts of your world that you may not have had time or thought to before, which means more detail and work added into your stories. And if nothing else, poetry and songwriting provide an excellent opportunity to get yourself invested in what you’re building! To really make it feel like home, try using a language native to your characters in both verse and prose. It might take a little extra effort at first, but the sense of accomplishment you’ll feel after using their language fluently will totally be worth it.
Poetry
Poetry is an art form that uses language to evoke emotion, create imagery, and tell a story. We can write it in any form or style, making it a versatile tool for world builders. Poetry can enhance existing stories without taking away from the plot line. Adding poems increases reader interest because readers want to know more about these people who were given this gift of words. The most important thing is that if you decide to include poetry in your novel or story — make sure it fits with the rest of your work!
First person narrative
A poem from the perspective of one of your characters will bring life to them and their feelings about their situation. You can also have them write poems about other characters, places, moments in time, etc.
Reminiscence
Poems about the past provide insight into why the character is where they are now. They’re great for revealing backstory. Try including poems as part of ritual ceremonies, songs sung by bards, and so on. Alternatively, you could have characters writing a poem before setting out on an adventure to get motivated.
Political Messages
Whether written by someone at court or by rebels plotting against their rulers, we can convey political messages through poetic verse. These often try to sway people’s opinions using metaphors and analogies while using double meanings when applicable.
Exposition
Poems that reveal information about the world’s mythology, religion, politics, etc. If someone has been exiled or punished by another faction within your society, this is a great way to show how they feel about themselves and their own worthlessness, as well as how society views them.
Ballads
Ballads were traditionally sung by bards, minstrels, or troubadours, and often used to tell tales of love, loss, or heroism. They can be one-stanza poems telling a moral lesson, or long epic poems with many stories woven together into the tale. Traditionally, they are lyrical poems with refrain lines sung in a narrative manner, usually in several parts. They may also be dance songs and instrumental pieces played on an instrument. Ballads are a great opportunity for world builders because they add depth to your world by giving it lore and history.
Make it Sing
Songs carry information, history, and tradition. They have always been a part of human culture. From Homer’s epics to Shakespeare’s sonnets, folk tunes passed down over generations, Viking sagas carved into runes on rock faces, the Great American Songbook made popular by Sinatra, Cole Porter and Gershwin – all contain important elements about who we are as a species. As human beings, we respond viscerally to music, which allows us to enjoy it and share it with others. Music is primal. Its melody and rhythm affect our very being on every level of our being. It has the power to soothe us when things get tough or excite us when times are good.
Music stirs deep feelings within us, as well as memories. Memories of our own lives and memories of those around us we’ve shared in our past. When building a fictional world, try incorporating music to help create emotion and mood. Think about what kind of instruments might be found there and what sorts of styles would most likely to be popular. Is there any sort of prohibition against certain types of instruments? What does this prohibition mean for people living in this society? If there is no prohibition against any sort of instrument, then you’ll need to think about where these instruments come from – do they trade them with other societies? Do they make them themselves?
Lore is Universal
Rich lore helps create a fully realized world that readers can get lost in. Examples of great works with extensive lore include Patrick Rothfuss’ Kingkiller Chronicles and Scott Lynch’s Gentleman Bastard series. These are both fantasy novels which require extensive world-building—but it still holds true for any genre or medium. Horror, in particular, springs to mind. Often children’s songs or nursery rhymes can also provide a wealth of information about the culture they come from, such as traditional stories and legends, myths and beliefs, historical events, customs and traditions. With the right care, they can be rather creepy, too. Writers have seen brilliant success with incorporating folklore into their books. These authors relied on their research to build a believable world and understand how certain mythologies impact society—or even shape its values.
Characters Make the World
Lore, poetry, and songwriting can help you build a richer history for your world. By creating songs and poems, you can add weight and depth to your world-building. More than that, it can add depth to your characters. A well-woven tapestry of lore can drape characters in the dignity of heritage and the nobility of heroism. In this way, lore not only creates the backdrop for fantasy worlds, it also creates an opportunity to explore deeper themes like heroism and legacy by adding nuance to the lives of characters overlooked in other types of storytelling.
These techniques aren’t just for sci-fi and epic fantasy. We can use them in every genre, from historical fiction to romance! And if you’re stuck on how to create great dialogue, lyrics are the perfect way to breathe life into both character and scene. If your protagonist is in danger, then what better way to show her courage than through verse? If she’s lost love, then what better way is there to express her sorrows than through lyrical prose? You don’t need high-brow lyrics or eloquent verse—you need words that get at the heart of your story. Sometimes even writing something short can inspire because words don’t have boundaries—especially with telling stories.
World-building is a lot like baking in that way. A wealth of ingredients is available. You need to choose them wisely and add them in the correct order. When you’re done with all the measurements, it’s time for some hard work—some oven time. Just as baking takes patience and dedication, world-building takes time too. There’s no instant gratification here! If you’re not careful or don’t do your homework, it will show when your world is ready to be tasted by readers. The best thing about adding weight and depth through lore is that once it’s baked into your world, it becomes an important part of what defines its culture and landscape. Give the reader a world to get lost in – its past, present, and future.
-R.E.
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The Many Benefits of Co-Authoring
Co-written books can be exciting and fun to write, if you’re with the right partner. They can also be a challenging and rewarding experience, as long as you follow some basic co-authoring guidelines. With writing, some people prefer to work alone, while others would rather get in the same room with other authors and start the collaborative process right away.
In this blog post, I’ll discuss the most common types of co-written books and how they benefit both authors and their readers. I’ll also look at some of the most successful co-written books ever written, to give you some ideas about what works best. If you’re an author who wants to learn how to co-write a book and make it a rewarding experience, this guide will help you make the most of your experience and craft something you can be proud of that your readers will love as well.
Examples of Books That Were Co-Written
The best co-written books are those where the authors complement each other’s strengths.
Two of my favorite collaborators have always been Neil Gaiman and Terry Pratchett. They collaborated on Good Omens with outstanding success. Their writing styles differ from one another, but they work so well together. Though their storytelling approaches are different, reading a book by them feels like one succinct package. It’s really cool to see how they’ve grown as writers through their collaborations.
Other famous co-authored books include The Talisman by Stephen King and Peter Straub, Relic by Douglas Preston and Lincoln Child, and The Norby Series by Issac and Janet Asimov. Each is an exceptional example of why collaborating can be rewarding. I highly recommend reading some of these amazing books if you’re looking for something new. Consider how concise these stories feel when you read them. Also, it’s interesting to see how successful these novels were because of the collaboration between two talented authors.
Series Finished by Another Author
Though it’s not always the case, sometimes an author will die before they’re able to finish a series. Sometimes, another author finishes the series. This can be a daunting task, but it can also be very rewarding. The Wheel of Time series was finished by Brandon Sanderson after the death of the original author, Robert Jordan. The Chronicles of Amber by Roger Zelazny was completed prior to his death. Still, we were treated to a prequel series (The Dawn of Amber Series) written by John Gregory Betancourt after Zelazny passed away. With proper respect paid to the original author and their work, writing a series that someone else has started can lead to success. It takes hard work and dedication, but it pays off in the end!
Benefits
There are many benefits to co-writing a book. For one, it can help to divide up the workload so that each author is only responsible for a portion of the book. This can make the writing process more manageable and less daunting. When you co-write a book, you bounce ideas off of another person and get feedback in real-time. This can help improve the quality of your work. Collaborating with someone else can help you stay motivated and on track. It’s easy to get sidetracked when you’re working on a project alone, but having someone to hold you accountable can make a big difference.
Co-writing can also help you learn new things. If you’re collaborating with someone who has different strengths than you, they can teach you things that you wouldn’t have known otherwise. You’ll also have the chance to make new friends or business connections when you co-write a book. You may be surprised by how much you learn from other people about their knowledge and experience.
Don’t Wait For Perfect
We’ve all been there. You have this great idea for a book, but you can’t seem to get started because it’s not perfect yet. And so you wait. And wait. But no book is ever going to be perfect. At some point, you just have to write. You know the saying. Don’t wait for perfect, because it will never happen. It applies to co-writing too. You and your co-writer will never agree on everything, so don’t wait for that to happen before you write. Just dive in and see what develops. More often than not, you’ll work with a partner who isn’t exactly like you but still has things they are great at.
Choose Your Partner Carefully
When you decide to co-write a book, you’re essentially getting married. You’re committing to spending a lot of time with this person, sharing your innermost thoughts and feelings, and working towards a common goal. So, it’s important that you choose your partner carefully. You need someone you can trust, who shares your vision for the project, and who you can work well with. When co-writing goes well, it’s like magic. The finished product is better than either of you could have accomplished on your own. Plus, the process is incredibly rewarding. Whether it be collaborating or just trading ideas back and forth, each author brings something unique to the table. And when two people bring their individual strengths together, they are much more powerful than they would be alone.
You want someone who shares your vision for the project and who you can trust to see it through. Ideally, you should also choose someone with complementary skill sets to yours. That way, you can divide up the work and make the most of each other’s strengths.
Pitching to Potential Partners
When you’re ready to write a book with someone, it’s important to have a clear idea of what you want to write, why you want to write it, and what your writing partner’s strengths are. Once you’ve found a potential co-writer, the next step is to pitch your idea. Someone can do informally this, over email, or even in person. How ever you do it, make sure you’re clear about what the book will be about, what each of your roles will be, and how much time you’re willing to commit.
Remember, co-writing is a partnership, so communication is key. You’ll need to work out where the responsibility for various tasks lies, who’ll own copyright for any material created jointly, and how decisions will be made. The first decision is usually whether one or both authors will take on the role of lead writer (the one who writes most of the text). This is an intensely personal choice which should reflect not only skills but also preferred working style. Some people like to plan every detail before they put pen to paper. Others prefer just getting on with things.
It’s important to have a clear idea of what you’re looking for in a partner. Do you want someone who shares your sense of humor? Who has experience in the genre you’re writing in? Once you know what you want, reach out to potential partners and pitch your idea. If they’re interested, great! If not, don’t take it personally. Just keep looking until you find the perfect fit. In the meantime, though, continue drafting chapters on your own or with other writers you meet online. You never know when that perfect person will show up. Plus, while you wait for them to come along, you can still hone your skills and enjoy creating something new.
Share the Load
Writing a book is no easy feat. But when you have a co-writer, you can share the load (and the glory). Perhaps you’re not the best at outlining or structure, but your friend has an excellent sense of pacing. Or maybe you know more about plot than dialogue, but your writing partner has remarkable characters to bring to life. What’s more, there are other advantages. You’ll always have someone to brainstorm with, and it will be much easier to get through that inevitable rough patch because there’s always someone there for you.
If one of you is too busy to work on the story, then it won’t stall as long as both parties take a break and come back later. If you live in different parts of the world, time zones don’t matter either. Each partner can continue to write from their own perspective without constantly updating each other. The only downside is not being able to collaborate in person, but with all the advances in technology, this really isn’t a problem anymore. If you meet up physically now and then, make sure you’ve got plenty of snacks handy.
Get Involved In Each Other’s Projects
Once you start, be sure to give each other regular feedback. That feedback should be on their other projects as well. Reading your partner’s other ongoing work serves two benefits. First, it helps keep the creative juices flowing for both of you. Second, reading someone else’s project is a great way to get an outside perspective on what they are doing and how they approach storytelling. It can also be helpful when deciding which projects are more promising than others. For example, if one person has a really cool idea but doesn’t know where to go with it, you might suggest that they write up a synopsis or outline and send it over to the other person. You could provide suggestions or even take a crack at coming up with something yourself.
Know When To Let Go
In order to make a co-written book work, let go of some control. You can’t be precious about every single word, because chances are, your co-writer will want to change some of them. It’s important to be open to suggestions and willing to compromise. That way, you can create a book that’s even better than either of you could have written on your own. If this is your first time working with someone else, remember that it might take a while for the two of you to get into the groove. Be patient and don’t expect everything to happen right away. The more you work together, the easier it will become. Remember too, that if something isn’t working out, don’t be afraid to ask your co-writer if they’d like to take over in an area where they excel.
There May Be Turbulence
There are some challenges involved as well. Your relationship has the potential to suffer if there are any major disagreements in opinion. If one author seems to want all the power in a partnership or if one feels like they were treated unfairly, that could lead to problems down the line. However, if you choose your co-writer wisely and respect each other’s opinions and contributions, it can be an incredibly rewarding experience. You’ll get input from someone who understands the nuances of storytelling and who will give you feedback on plot points and ideas that may have otherwise gone unnoticed. It’ll also help ease the workload by having someone share responsibility for tasks such as plotting out scenes, editing, or deciding about art direction. You will not be lonely in this process either!
Try Co-Writing
Writing a book with another person can be a very rewarding experience. You get to bounce ideas off of each other, help each other stay on track, and learn from each other. Plus, it’s just plain fun! Try your hand at co-writing with a trusted collaborator today and see for yourself how rewarding it can be.
-R.E.
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The Power of Rhyming Picture Books
Picture books are one of the best ways to entertain and educate kids. They’re also among the most cost-effective methods of teaching your child unfamiliar words, concepts, and skills. Rhyming picture books in particular can make reading more fun because they add in rhythm and meaning to each page. This helps your child get ready to read out loud by adding some music to the process.
Rhyming picture books are some of the most entertaining children’s literature available today, which makes them an absolute staple in elementary school classrooms. However, rhyming picture books have value beyond their entertainment and educational elements. They can also help kids to develop important skills that will serve them well into adulthood.
Literally Important
This small world of ours is a pretty big place. It’s hard to know what exactly is going on inside it. Why are some countries rich and others poor? Why do some have access to clean water while others don’t? How did our universe come into being? And why does a hot meal taste so good after a long day?
Through reading, children can access the answers to these and almost every other question. I respect children – and adults – who mispronounce words as they no doubt learned the word by reading it. That’s the best way to learn words. I love when a child with a question looks for the answer in a book. Reading makes us better thinkers because it exposes us to more ideas than we would otherwise have been able to experience in our own lives. It expands our horizons and allows us to see things from different perspectives (even if only slightly). Reading helps us become better, more well-rounded people.
Travelling to far-off lands or exploring the surface of the moon through literature is as easy as turning the page. Further, exciting facts and questions arise, leading to the urge to read more and learn more. And isn’t that what childhood is all about? Give your child a head start on life by reading to them as often as you can. It’s never too early for a child to learn about science, history, geography, math – and many other topics – by reading together.
The Language of Learning
Fun and educational rhyming picture books promote a young child’s language development. For a child, reading rhymes is engaging, easy to understand and fun. Learning how to read and write can be tedious work at any age. Building interest in phonics through fun stories is a great way to get them thinking about what they’re learning. Plus, when children are having fun while they learn, they remember better!
Frequently introducing kids to reading, rhymes, or poetry helps instill a love for reading from an early age. Studies show that parents who read with their kids every day have children who excel in school by third grade. When parents read to their children every day—particularly before age 5—they give their children an early language head start. Kids who hear and see 2 million words by age 3 are more likely to read at grade level by age 8 than kids exposed to 500,000 words or fewer.
The Science of Rhyme
Rhyming picture books are a lot more than just a cute way to get kids to enjoy reading. In fact, there’s an entire branch of pedagogy dedicated to studying them. Language acquisition takes time and practice, but rhyme can help speed up both processes. As children read rhyming picture books repeatedly, they’re subconsciously building their skills in language processing—meaning that when they read chapter books without rhymes or rhythm, it will be easier for them to make sense of what they’re seeing on paper. Reading is already difficult enough. It only makes sense that you should use everything you can find to help your kids master it faster. And if you want to give them every advantage possible, give them a book with a good beat. It might even save you some trouble down the road.
Rhyme helps us remember things. Think about it. When was your last time you heard a catchy song or riddle, and didn’t have it stuck in your head for days after? That’s because our brains naturally like to scan for patterns. Rhymes are very similar to patterns. Therefore, rhyming phrases are easier to remember than non-rhyming phrases that mean essentially the same thing. They stick with us. And once something sticks with us, we don’t forget it easily.
Rhyme also improves reading skills is by introducing rhythm into reading patterns. This forces kids’ brains to work more deeply when they encounter an unfamiliar word (like pronouncing quarter instead of carrot), resulting in increased memory function and improved recall. Further research has shown that rhyme also results in greater understanding on part of both young readers and listeners. The more fun your child has with a book, it seems, the more likely he or she will be to remember it later on! So whether you’re reading about cowboys at breakfast time or trying to convince your daughter that superheroes aren’t real after bedtime, try using some poetry! It might just help her sleep easier at night.
Images Feed Imagination
One common misconception about rhyming picture books is that they’re only for early readers. While they’re certainly helpful for kids learning to decode words, they can offer more than just a fun read—they also encourage children to engage with their environment and use their imaginations. For example, when kids see pictures that depict something specific, but with a twist or incongruity, it encourages them to pause and think about what else is happening in those images. It creates an opportunity for kids to draw on their own imagination. This type of engagement with language can spark important connections between words, images, and meaning. This is important to improving memory retention later on. Reading rhyming picture books can help foster creative thinking skills and open up new opportunities for kids to experience reading as a pleasurable activity.
When parents or teachers read rhyming picture books to young children, they’re helping develop their imagination. One way that works is by showing them images. As you flip through a book and see pictures, your mind automatically does its best to see words that go with those pictures. Imagination is one of our most important mental skills, so it’s encouraging to know how easy it is to boost it in young kids! The more you feed your child’s imagination, the better prepared they will be for learning throughout life. So give some rhyming picture books a try—it might surprise you just how quickly your little one can learn from them.
They Feed Practical Growth, Too
Sometimes a picture really can be worth a thousand words. For children growing up in today’s busy world, picture books can provide an easy way to learn about their new environment. As you know from your own childhood experiences, most children don’t find their curiosity satiated by two-dimensional cartoons on a screen. They want to get out there and explore! A great picture book offers children a glimpse into actual life situations with which they might not otherwise be familiar. They can help them understand how other people live and think—and even help them empathize with those who differ from themselves.
Being able to read pictures is a fundamental skill that all children must master. This is especially true in countries where it’s hard to get a hold of books, and most people have never even heard of stories like Goldilocks and The Three Bears. In these places, parents often use picture books (and other media) as their principal method for passing on knowledge and culture. If you can’t teach your child how to read words, you might teach them how to recognize images. For example, if you show your child an image of a man holding his palm stretched wide before him while shouting, he may guess it means ‘Stop!’. He just doesn’t know what those four letters spell.
Reading the World Around Us
We continue, throughout life, to rely on these easily distinguishable images to relay information. In my part of the world, a red octagon means ‘Stop!’ as well. When I approach one while driving, I stop. It’s not because I’m reading the words on the sign. It’s because I’ve learned to associate that shape with its meaning. Children are no different – they need to learn how to understand simple images so they can go out into the world and navigate their way through it safely.
We live in a world saturated with languages. Luckily, we can communicate across the spectrum with mathematics, music, and pictures. But how do we learn to read pictures? The best way is through rhyme! The easiest way to read words is by sounding them out. When you add rhyme into picture books, you’re giving kids an extra tool for learning how to read them. And as they grow older, they’ll be able to use that skill whenever they want to understand what’s going on around them or just have fun reading a book! We fill rhyming picture books with easy-to-understand imagery that will help your child grasp concepts like colors, shapes, emotions and actions without having to learn any new language first!
Picture That
Picture books are a powerful tool in teaching young kids about the world around them and how it operates, and rhyming picture books can be even more beneficial than others. By combining pictures with rhyming lines of text, rhyming picture books convey information while providing an enjoyable way to learn. By improving reading skills, rhyming picture books make it easier for young learners to grasp concepts taught in other subjects, as well as enhancing problem-solving skills and analytical thinking abilities. In addition, reading a rhyming book can help children develop an understanding of language structure—helping them learn how to use words effectively and become better communicators.
-R.E.