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Category: Writing
Lore and the Modern Gamer
Storytelling is exceptionally important to the modern gamer. It’s what sets the medium apart from others. We interact with games differently than we do with films or books. For this reason, storytelling in games can’t just rely on traditional methods of exposition or dialogues. It has to be presented as gameplay mechanics that are completely integrated into the experience without sacrificing content and quality of story. Games that tell marvelous stories keep players engaged and allow them to create connections with the characters and the world that surrounds them, making gameplay more enjoyable and more rewarding.
Video games have transformed over the years. So much so that we’re living in a new era of gaming–one in which we have lifted storytelling from the backseat to become a major player in the industry. With advancements in graphics and game design, developers can now create more detailed worlds than ever before, with more intricate plot lines and engrossing characters that come together to form stories that can leave players craving more even after they’ve beaten the game.
What is Lore?
Your favorite games probably have some sort of backstory that shapes their world and gives them additional depth. We know this as lore—the history, or story, behind a game’s universe. The Elder Scrolls V: Skyrim and Deus Ex are great examples of games with critically celebrated lore.
Game lore is, simply put, a game’s story and/or world information. Lore is when you play a popular role-playing game and interact with characters who tell you their life stories or how they came to be in your current location. When you explore new settings and learn about their backgrounds or read books that explain what happened before you got there, you are exploring the game lore. It is an important aspect for games because it helps players connect more with characters and overall gameplay experiences.
To truly immerse yourself into a game, being able to understand why things are happening around you can make all the difference. It adds depth and meaning to everything you do within that universe. You don’t just fight bad guys anymore; you actively engage the enemy. Your desire to eliminate obstacles and threats more than doubles when you have an emotional connection to the process. This can help gamers feel connected with each other as well. Friends are made over similar interests through online forums where everyone talks about how much they love a certain game based on its lore alone!
Use Of Lore In Games
Game design is primarily driven by technology. This is not a bad thing as we have seen video games advance at an incredible rate over their short lifespan. Every gamer can tell you how much better games look today – even those who only started gaming in the past few years. However, there are many examples where game developers sacrifice story and lore for graphical fidelity or engine optimization. On paper having more robust graphics or more efficient programming may seem like it will sell more copies. Often, though, story and lore help to create a world that is deeper and more immersive than a beautiful game with dull writing could ever hope to achieve.
Lore allows us to connect with characters, much like reading a book or watching a movie would. The reason so many people love books such as The Lord of The Rings or movies such as Star Wars is because they have an engaging story line that pulls you into their world. Even if you do not understand everything about these worlds, you still feel connected to them. Just look at our list of 10 Great Video Games for Book Lovers. Good lore is at the heart of each.
The incredible lore in these stories offers enough depth for the mind and heart to swim in for years. Game franchises like Final Fantasy, The Witcher, and Batman: Arkham all rely on an immersive world for success. When people become invested in a story, they’re more likely to play through a game again or purchase additional games within that series. By cultivating deep lore for their games, developers can entice their audiences to keep playing.
A Good Connection
Game lore creates a connection between player and character. Often when you play a game, you are playing as someone else. You can’t see yourself in every protagonist, so you must be able to relate to them on some level. Having good lore makes that easier because it gives players something they can relate to or find interesting about each character. A deeper understanding of a character’s motivations can help build that bond.
A great example of how important storytelling is for making connections is the series Mass Effect. Each character has their own backstory, which helps players connect with them more than if there was no backstory at all. In fact, many people feel that the follow-up, Mass Effect 2, had even better characters because of how much more time went into developing their backstories.
Likewise, adaptations of popular media like movies and television shows have seen success because of the inherent relationships that the public has formed with the main characters. It’s hard to outperform built-in lore and years of head canon. Fans like heroics. They love heroes.
Layer the Player
Good lore can add layers of depth to your gameplay experience. If you’re exploring a dungeon and come across what appears to be evidence of something only hinted at in a previous town, the dungeon will have an added layer of satisfaction upon completion. The same is true for a side quest that only unlocks after completing another one.
This is exactly why I love games like The Legend of Zelda: Breath of the Wild and Xenoblade Chronicles. The world feels so alive because it’s not just about fighting monsters or saving princesses (though those are still important elements). The world has its own story to tell, which makes it feel more realistic and engaging than many other games on offer today. And I don’t just mean big-budget RPGs either. Smaller indie titles like Pyre or Night in the Woods also have marvelous stories that make them stand out from other games.
Context Matters
If all you do is run around killing things, those actions mean nothing. When paired with good lore, however, those actions become meaningful because they exist within a greater narrative structure. This makes it easier to get invested in characters and events, which helps make games more fun to play. If you’re playing as an assassin tasked with killing an evil king, you’ll feel like that action matters because it’s part of a greater story arc.
That background also helps players contextualize their actions so that every decision feels more important. Imagine if instead of being told about how evil King Baddy was (and thus why he needed to be killed) we were just presented with his severed head on a pike and told that’s what happens when you complete your mission. That would certainly convey information, but not nearly as much as having access to his backstory does. In short, good storytelling gives players better reasons to care about what they’re doing in-game.
Play it Again
Good stories = replayability. A well-written story makes fans want to play through it again and again. Games with no sort of narrative flow risk people getting bored after one playthrough. This is a critical aspect of game design, especially for games with multiplayer components. If you can’t keep your players coming back for more, then what’s even the point? Good storytelling is essential for games looking for success beyond their initial release. It’s not enough to just have a good plot. You need players invested in what happens next. Otherwise, they’ll stop playing before they ever really begin.
Fun, Fun, Fun
At its core, gaming is fun. We should strive to make our games enjoyable even beyond just winning or losing. Good lore can provide that extra bit of enjoyment needed to turn a mediocre game into a great one. Even if your gameplay isn’t cutting edge, people will enjoy playing it if they like your world and story. And if you have both? Well then, you’ve got yourself a winner!
So how do we make sure we’re not creating bad lore? Simple, really. Just ask yourself whether what you’re writing about is interesting to YOU as a player before you write it down. If not, rework your idea until it is interesting and proceed from there. When designing lore for your game, remember that it doesn’t have to be complex or original. All you need is something simple and easy for players to get invested in. Remember why you started playing video games in the first place: FUN!
Lore is Timeless
Different people find different parts of various games to be well-developed and engaging. It’s clear that game developers should invest time into crafting storylines for their fans to enjoy when playing through an expansive fantasy world or complex simulation. There are other reasons storytelling is important to gamers too. As technology advances, there will probably come a day where we can literally experience everything our games offer inside virtual reality.
What does that mean? It means that video game companies will want to create worlds so compelling they leave us feeling like we actually visited another planet—or lived in another century altogether. And it makes sense; we already talk about movies like they’re authentic life experiences. Why not let players step inside them? I think gamers would be all in, so to speak. Especially if there is lore to explore.
-R.E.
Spring Cleaning the Writing Mind
Have you ever stepped away from your desk, finished a writing project, and felt like you’ve just put the cart before the horse? Like you need to start all over again, not because you’re doing anything wrong, but because your mind needs to be retrained and rewired to think differently about how it creates? Are your ideas stale and flat, having lost the zip that made them exciting to begin with? Spring cleaning might be exactly what you need.
With the mental health of writers, we must tend to our brains as carefully as we would tend to our bodies or our children’s welfare. Self-Care is Important for Writers. When you don’t take care of your brain, when you don’t clean up your mental workspace or organize your thoughts and ideas, bad things can happen—even if you have the best intentions. Even if you do everything right. Spring cleaning isn’t just for the house. It should be for your mind, too! These tips will help you give your brain the cleaning it needs!
Even Brains Need Clearing Out
We’ve been shut-ins for a while now, time to dust off those cobwebs, fling open the eye windows and let blossom a new world view. Writers’ minds, like their workspaces, need organizing and the occasional cleanup. We fill our brains with everything we find lying about as we traverse the world. A lot of it comes in handy down the line. The rest lingers and gets in the way when we’re reaching for something we need. So, what can you do? Just as your house is likely to be more pleasant if you give it some TLC every once in a while, so too will your brain. But what’s that look like?
The brain is an untended attic of ideas and anxiety. We need to manage that space efficiently. For me, writing my thoughts and inspirations regularly has been incredibly helpful in keeping track of what I’m working on, what I’ve accomplished, and where I might be stuck. It keeps me accountable for my own work ethic and serves as a reminder that there are other things going on in my life besides just my writing project.
If you haven’t already started doing it, take five minutes today to write your three biggest accomplishments from last week and your three most important tasks for next week. You can also use these lists for your daily word count or just jotting down notes about story ideas you have when they come up.
A Good Cry
Write all your thoughts on any subject for five minutes without stopping. This can be about anything but try not to think too hard about what you’re writing. If a word doesn’t come naturally, then don’t force it. Just move on to another thought. Sometimes a stream session is like a good cry. You can feel the emotion tumbling like stone-rounding currents towards the roaring falls of your fingers.
You need to get it all out. Go fully into the ‘now’ of the words. If we aren’t willing to go there, how are we ever going to write characters who do? Cry or write, they both release tension and stress. Crying cleanses us emotionally while writing cleanses us mentally. So, take a deep breath and let those emotions flow through you onto paper!
Fling the Fluff
You don’t need everything you write. There are a lot of words in our heads, but very few of them are important and they’re not all going to make it into your story or essay. Learn how to let go—to discard what doesn’t serve you, what others don’t need, and what isn’t relevant. It’s something an excellent editor (like a good therapist) should be able to help you with.
Look at your writing and ask yourself if there are any unnecessary details to cut without hurting your piece. If so, find those places where you can remove fluff or fat, damaging nothing else. Then look at each sentence on its own merits: Does it really add anything? Are there any extra words that aren’t necessary? And finally, do you really need every single word? Don’t hold on to things just because they sound nice or feel right. If they don’t fit into your work, get rid of them!
Take stock of all the characters and ideas you have floating around in that beautiful brain of yours. Toss out what doesn’t work. Be ruthless here but try not to toss out anything that might be useful later on if you can help it. Rearrange what remains. Rearranging is key here. Move things around until they feel right, or you’re sure they shouldn’t go elsewhere.
Spring Clean
Physical space has an enormous impact on our mental health. If your workspace is untidy, disorganized, or visually chaotic, it can cause you a lot of stress and confusion. It’s not just about having your desk cleared off or shelves reorganized—even one minor detail that feels out of place can throw off your sense of well-being. The next time you find yourself overwhelmed by a project or just bored with writing entirely, set aside some time to clean up your physical space and notice how much better you feel. You might even start enjoying your writing again.
Throw away physical clutter. If you have too much stuff lying around on your desk or anywhere else that could easily distract you from writing, clear them out—now! Having less stuff will make it easier for you to focus and get things done. Like petting the dog.
Yes, Go Pet the Dog
If you’ve got pets, go spend some time with them. Animals have always brought out creativity in people and there’s no better way to get back into writing mode than spending some quality time with furry friends! Take a walk or just sit outside and watch them play for a while—you’ll marvel at how relaxed your mind becomes after just a few minutes of petting. Plus, who doesn’t love snuggling up to a purring kitty? Psychos, that’s who.
I’m not saying that going to take care of your dog is going to make you write an award-winning novel (although it might), but it can help clear your head and help kick-start new ideas. Plus, if you’re like me, sometimes just looking at my cat makes me feel better about myself… and I don’t even know why… but it does. It’s science. (Do your own research.)
Pets don’t bother with mind clutter. They keep playtime, food, and the unbreakable love they have for you. Nothing else matters. Be more like pets.
Add bright new thoughts
Like fresh flowers and seasonal fruit on the kitchen counter, bright new thoughts can help turn the tide in the mental battle between winter and spring. The only question is: where to get them? There are several places to find ideas for your next piece of writing—the most obvious being that story you’ve been working on for months or years now. But there are other sources of inspiration out there, too—you just have to know where to look.
Set aside time each day (or at least once a week) where you read something from an author who writes in a style that is the complete opposite of yours. Read poetry if you normally write non-fiction or read up on romance if all your work has been science fiction/fantasy related for years now. So much new inspiration comes from reading authors whose works are antithetical to yours!
Go back and reread one of your favorite books or stories but change some minor detail about it. This could be as simple as changing a character’s name, or it could mean altering what happens in pivotal scenes throughout the story. The point here is to see what happens when you alter even just one tiny detail and then let your imagination run wild with what might happen next!
Exercise Clears Mental Fog
If you’ve been playing along, you know the score is now mental cobwebs: 0, writers: 1.
Now that your brain has cleared out some of those mental cobwebs, it’s time for you to give your body a little TLC as well. Take a few minutes every day for some simple stretches and breathing exercises. Note how refreshed and energized you feel after just five minutes of stretching and deep breathing! Plus, these activities are significant for helping you get in touch with your body—which can be an important part of achieving mental health.
Studies show that exercise can improve your memory, creativity, and decision-making abilities. Just 20 minutes of aerobic exercise three times a week can boost your mental sharpness. Aerobic exercise seems to be better than strength training for brain health, though both forms of physical activity will help you think more clearly.
Start with brief bouts of light activity and work up to more intense workouts if you’re able; it could take six weeks or more before you feel significant benefits from working out. Try not to skip workouts because you don’t have time — see it as part of your self-care routine. Exercise is good for all aspects of your mental health.
Clear your mind by taking a walk through the woods or around your neighborhood. Take notice of how things look different from last year, or even last week. This is called shifting gears, and it will help you become more observant of details in everyday life that you may have previously overlooked.
Set the Pattern
The most successful writers are the ones who understand that mental health is just as important as the physical health. This means making mental well-being a continued focus throughout the year, even when you’re busy working on your next project. Establish an organized routine, keep tabs on your priorities, and remember that your inspiration—your muse—lives in you.
Work isn’t everything; a healthy writer needs more than ample time spent in contemplation and reflection, too. It might sound simple, but it’s not always easy. Try not to let guilt get in your way, either; after all, everyone deserves some me time now and then. Keep this in mind and next spring won’t seem so far away.
-R.E.
The Madness of Method Writing
What’s the hardest part of the writing process? Figuring out what happens next, right? Every time you sit down to write, the voice in your head nags at you with that ever-so-familiar refrain, but what happens next? To find the answer to that question, you need to immerse yourself fully in your world, so you can truly understand what’s happening around your characters and with them—and why they react in certain ways. And that’s where method writing comes in!
What is Method Writing
Foremost, method writing isn’t just a writing technique. It’s an all-encompassing way of living that helps writers get into character, develop a story and go to places they never thought possible. With method writing, what you do is as important as what you write—but don’t worry, we won’t expect you to put your life on hold while you work on your next bestseller. We’re not asking for days without sleep or nights with 10 hours of work. Instead, think about ways that you can relax yourself into a mindset that allows for creativity in such a way that allows for productivity and rest.
The trick to finding success through method writing is balance. It’s okay if you need more time for research than others, but be careful not to spend so much time immersed in your environment that you forget why you are there. Remember: You are there to create art, so make sure that nothing impedes your end goal!
But, what is Method Writing?
In simple terms, method writing is a writer’s attempt to immerse themselves in their environment before sitting down at their desk to work. The premise behind method writing goes something like this: If you want to understand how people feel when they’re experiencing certain emotions, try putting yourself in those situations before developing characters and plot points around them.
Why Should I Use Method Writing?
Reading about someone else’s experiences doesn’t give you insight into their mindsets. We often have trouble empathizing with characters who are unlike us—which makes them harder to write about.
Method Examples
The first use of method writing was most likely by an unnamed ancient Greek playwright who began living out his stories to bring them more authenticity. His plays are some of the earliest works of Western literature. While other notable writers, like Jane Austen and Leo Tolstoy, followed suit, it wasn’t until later that method writing became a more widely used practice in creative writing circles.
In the early 20th century, American author Jack London lived in the wilderness for months at a time to write books such as The Call of the Wild and White Fang. Around that same time, Irish writer James Joyce spent years researching Dublin’s life before he wrote Ulysses. And in recent decades, several famous authors have taken on method writing projects: Salman Rushdie based his novel Midnight’s Children on his own experiences growing up in India; Bret Easton Ellis immersed himself in Los Angeles’ seedy underworld to write Less Than Zero; and Michael Chabon even studied neuroscience at Columbia University to prepare for writing The Amazing Adventures of Kavalier & Clay.
How do you make your writing feel real?
One way is method writing. It’s a combination of story immersion and character immersion. Story immersion is when you immerse yourself in every aspect of your story, from characters to setting to atmosphere—basically everything that makes up your story. We can do this through extensive research or reading; consuming as much information about your story as possible gives you a better sense for what you are building with it.
Character immersion is similar, but instead of immersing yourself in your story, you immerse yourself in your characters. You become them: their mannerisms, their speech patterns, and even their physical appearance. By doing so, you understand them on a deeper level and understand how they would react to situations around them (which then helps create more realistic dialogue).
In order to immerse yourself fully in either of these processes, you must take time away from everyday life. If you want to learn about your world, go out into it. If you want to learn about your characters, spend time with them. The best part about both methods is that there is no wrong way of going about them! As long as you’re learning and understanding, that’s all that matters.
Getting Started
What Are You Waiting For?
To get started, write a list of questions that need answers. From those questions, write additional questions and keep going until you have enough knowledge to fill your page. For example: How old is my main character? leads to How did he grow up? which leads to What kind of neighborhood did he grow up in? which leads to Did he have any siblings? which leads… well, you get it. Once you’ve got enough material written on paper, start looking at places where you can find answers.
The more effort you put into finding answers, the more effective your immersion will be. If you ever feel like there’s something missing, just go back through your notes and re-center yourself on what it means to be the character. There might be something else that needs answering before you move forward with writing. Don’t forget to take notes of the realizations that you come to. It’s important to remember everything so that when it comes time to sit down and actually write, everything will make sense.
How To Do It Right
The first step in method writing is being honest with yourself. What sort of setting are you looking to immerse yourself in? If you’re writing a historical piece, visiting an old-fashioned farm or plantation could help you learn more about what life was like back then. Or, if you’re writing a fantasy novel with magic and swords, heading down to your local dojo or meeting up with people who take part in SCA (Society for Creative Anachronism) will let you see how sword fighting really works. Keep in mind that it’s all about immersion—the more time and effort you put into your research, the better your story will be.
When done right, method writing can make your characters feel real because they’re based on truly lived experiences. Even when writing fiction, it’s important to stay grounded in reality.
Better Method Writing
As you probably know, everyone has different methods to their madness. Sometimes, it might feel like there’s no right or wrong way to go about things, but that doesn’t mean there aren’t some tips and tricks you can use to improve your own method writing.
Method writing is simply the practice of immersing yourself in an environment that mimics the setting that you are writing about. If you’re working on a story set in feudal Japan, you might keep yourself immersed in traditional Japanese clothing, set up your home and office with as much Japanese-style furniture as possible, and try to speak only Japanese.
This can help you get in touch with the world that you’re creating, to discover details about it that might otherwise escape your notice, and to enrich your characters so they feel more alive and realistic.
1) Don’t Let Your Characters Define You:
One of my favorite pieces of advice for writers is from author Neil Gaiman: I think if you have an idea for a story, and someone says ‘well why don’t you do it like so-and-so did,’ then don’t do it like so-and-so did. Do what feels right to you. If something feels off, don’t be afraid to break from tradition—there’s always room for improvement!
2) Get into Character:
This one is pretty self explanatory: put yourself in character’s shoes. How would they act? What would they say? How would they react? By getting inside their head, you’ll find that it helps build stronger characters.
3) Read Books About It:
There are tons of books out there on how to write better characters (I’ve read several), and many of them focus on method writing specifically. Even if you’re not planning on reading them cover-to-cover, flipping through will give you plenty of ideas for improving your process.
4) Listen to Other Writers Talk About Their Process:
Check out videos online where other authors talk about their process. It’s a great way to get inspiration, as well as new ideas for improving your own process.
5) Put Yourself in Scary Situations:
A great exercise for becoming more comfortable writing horror is actually putting yourself in scary situations—even if just for fun! Practice going up to strangers, looking people directly in the eye when talking to them, going somewhere new alone—it all makes you more comfortable with those actions when writing them down later on.
Immersion Methods
Environmental immersion is a simple way to get into character.
This method involves surrounding yourself with an environment that matches or mimics your setting, character and/or subject. For example, if you’re writing about a castle in medieval England, you might dress as if you were actually living there. If your setting takes place in an English pub or tavern, donning a period costume and purchasing some local ales will set your mind right for creating vivid characters and dramatic scenes. And be sure to note sounds—talking loud to create noise around you can help with inspiration! However, keep these things brief—the goal here is not to distract from writing but to get inspired by it.
Linguistic immersion is another great tool for getting into character.
It’s also quite simple—all you have to do is start speaking like your characters would speak! Instead of saying he went outside, try saying he exited his domicile. Or instead of saying she said something, try substituting she vocalized. You may find that taking on a different dialect or accent helps you write more vividly and realistically. The key here is practice—you may feel silly at first but stick with it until it feels natural enough to implement during your work sessions.
Mood alteration is trickier than other methods listed here, but many writers swear by its effectiveness.
There are several ways to go about mood alteration—some people prefer changing their clothing, while others prefer listening to music or eating certain foods. But whatever route you choose, make sure it works for you! After all, mood alteration isn’t effective unless it helps put you in the mindset of your characters and/or settings.
Physical immersion (also known as sensory deprivation) is perhaps one of most well-known methods used by writers.
By cutting off your senses, you eliminate distractions and focus solely on what’s going on inside your head. Some writers use blindfolds, while others use earplugs—and still others prefer sitting in complete silence. Be careful when using physical immersion though, as it’s easy to become too focused on what’s happening inside your head with no external stimuli to balance things out. Make sure you’re ready for such a challenge before trying out physical immersion!
Creating a Method Outline
When you are trying to figure out how to write a story, there is no shortcut or surefire way to ensure that you don’t hit any bumps in your story later on. However, making a method outline can help you see where you might get stuck later and helps prevent you from losing sight of character arcs or plot points.
The process for creating a method outline can be as easy as writing your character arc in bullet points and numbering them according to their importance. You can also use any visual organizer that works for you: mindmaps, tree diagrams, flow charts—whatever will help you look at things from several angles. The important thing is to have something concrete and visual that you can refer to when it comes time to write your story.
Character Methodology
A Method Writer is an artist who has mastered the art of submerging themselves into their current environment by speaking the vernacular of characters, dressing for the setting and changing their environments to suit the world that they are building in order to write more authentically about it, without the hindrance of having to research or ask questions from people living in that world, that could alter the story being told.
It’s a methodical way of documenting your story and getting in touch with your character. The writer must become their characters in order to write them accurately and develop them believably. Some will say that if you can’t understand how your characters feel, then there’s no reason for anyone else to either.
Method writing isn’t for everyone, but it helps writers get inside their characters’ heads better than any other tool I’ve ever used before. And really, isn’t that what we want? To write believable characters who draw our readers into their world? If so, give method writing a try. You might find it works for you too.
Just remember, once you put these processes into action, don’t forget to have fun. A good book isn’t written by numbers and neither is a good character. Remember to breathe life into your creations and let them live within your pages! Then, sit back and watch them take on lives of their own.
-R.E.
Breaking Through Writer’s Block
Getting writer’s block isn’t a sign of failure—it’s just another part of being human. Creativity ebbs and flows, so don’t stress about it. Instead, try not to stress about it. If you find yourself stuck on a project, take a break from it. Go for a walk. Read something else entirely—something that won’t remind you of your current problem or make you feel bad about what you can’t do now (I recommend fiction).When you come back with fresh eyes, focus on just one sentence at a time; sometimes doing even one thing well is enough motivation to keep going until it feels right again. And if these tips don’t work out? That’s okay too. It’s all part of creating, which means there will be moments when things don’t go as planned. That’s how we learn!
Write Anyway
There’s no escaping it: Writing is hard. Any day, you could stare at a blank screen and struggle to find something worthwhile to say. If you really have something worth saying, then it’s critical that you commit yourself and do whatever it takes to get it out of your head and onto paper. It’s better than being held back by writer’s block. If one tactic doesn’t work for you, try another — and keep trying until something sticks. You know what they say about how practice makes perfect? It’s not just a platitude; writing every day makes you a better writer.
Change The Way You Work
Finding a writer’s routine that works for you can help you beat writer’s block. It’s important to figure out what time of day you work best and then stick with it. Whether it’s first thing in the morning, afternoon, or evening, make sure you schedule your writing around these peak times. If possible, get outside for inspiration or sit near a window and look at plants, water fountains or people to help boost your creativity. In addition, leave yourself plenty of time to write without feeling rushed so that if one idea doesn’t work out well, you have another one waiting in line behind it, ready to go.
Consider taking notes on paper but also consider storing them digitally so you never lose an idea again! Keep a digital notepad on your phone wherever you are to capture thoughts quickly when they come to mind. Also, learn how to take notes effectively so that you easily recalled your ideas when needed. Write about projects you care about: This might sound obvious, but we often forget why we wanted to do something in the first place until we write about it!
Immerse Yourself In An Atmosphere of Creativity
You are your most creative when you’re surrounded by creativity. In order to overcome writer’s block, create an atmosphere of creativity where you work. If you have limited space at home or work, consider having a small space that is solely for creative pursuits. This doesn’t mean it has to be a large room with paints and brushes lying around—but it means that you need some area dedicated only for artistic creation so that you can immerse yourself in a creative environment more easily.
Focus On Your Environment:
When you surround yourself with disorganized, cluttered, and distracting items, it can be harder for you to focus on being creative. Clean up your desk and workspace. Get rid of anything you don’t use regularly (such as old newspapers) and organize everything else in a way that draws your attention toward your workspace.
Plan Out What You Want To Accomplish:
Before you work on something new, figure out exactly what you want to accomplish. Don’t just say I want to write or I want to paint. Figure out exactly what you want to do before diving into whatever project you’re working on next. Be specific about what you want to do. There’s no reason creating something should feel like a chore.
Get Some Sleep
If you’re having trouble getting started, it might be a lack of sleep. Chronic sleep deprivation can be just as detrimental to mental functioning as not getting enough sleep on a one-off basis. Instead of staying up late, try going to bed early or at least getting 7–8 hours of sleep every night. If it feels impossible, talk with your doctor about potential solutions. Your physician can recommend over-the-counter sleeping aids that are safe for regular use. Writing is hard work, so make sure you’re getting enough rest. Sleep when you’re tired and writing will come easier. You’ll also have more energy throughout the day to tackle other projects as well.
Everyone knows that sleep helps us focus, but most of us don’t get enough of it. You have a deadline; your alarm goes off too early and then you reach for your smartphone—it’s going to be a long day. To stave off exhaustion, try going to bed 15 minutes earlier than normal. A good night’s sleep will help you beat writer’s block by keeping you sharp on even your most draining days. We need all our cognitive abilities when we’re writing. You can’t do your best work if you’re tired.
It might sound simple, but setting aside time to go over what you’ve written (and slept on) can also be an effective way to get through writer’s block. If you find yourself blocked, read over what you’ve already written and tweak things as needed until they flow better. Don’t pressure yourself into finishing everything in one sitting; sometimes quality is more important than quantity. Forcing yourself to complete something subpar will solve nothing—in fact, it’ll just make matters worse. Letting go of expectations is easier said than done, though!
Build Writing Into Your Routine
If you struggle with writer’s block, one of your biggest tools is making writing part of your routine. Because it’s part of a daily schedule, you won’t let yourself get away with not having something to write. It also helps if you plan out what you want to do each day and stick with that schedule—so even when inspiration is lacking, productivity isn’t.
One thing I like about writers like Ernest Hemingway or Anne Lamott is they set aside specific hours for writing—and they stick with those hours even when they have something else planned (like writing letters). That way, there are no excuses for not having time because you already made time for it. Some people swear by writing first thing in the morning, so try setting aside an hour before work to make sure you can at least get started on your piece. In fact, some would argue getting started is all that matters—because once you start writing, everything else will fall into place. As Hemingway said:
“All you have to do is write one true sentence. Write the truest sentence that you know.”
Sometimes all it takes to overcome writer’s block is breaking down big goals into smaller pieces. So if you feel stuck and have been staring at a blank page for days trying to figure out how to begin your story/essay/blog post/etc., start small. One sentence.
Take Breaks
The most common cause of writer’s block is getting stuck on one particular idea, or part of an idea. If you feel you’re only getting half-way through a project before you have no more ideas, stop and take a break. Get up and walk around for a while. Get some fresh air. Once your mind has had time to rest, it will feel much more refreshed when you come back to work on your project. Taking a break also allows you to step back from whatever issue is causing your block and look at it with fresh eyes, which can help give birth to new ideas!
Another great way to overcome writer’s block is by working on something else entirely. Go do something fun, exciting or unusual that takes your mind off what you were working on previously. Then come back to it feeling invigorated and ready to go! You might find that as soon as you start again, all those blocked thoughts just fall into place.
Stepping back can also give you time to get feedback on your project. You might not hear criticism very well if you’re in a rut, but often other people can point out flaws in our thinking we don’t see because we’re too close to our own projects. Ask someone who knows nothing about your subject or how it’s supposed to turn out. They may tell you things about your writing style or structure that would never occur to you otherwise.
Remember not to share any draft that isn’t completely finished.
Remember Why You Started Writing in the First Place
When you’re stuck, it’s hard to remember why you started writing. Maybe your first few posts or chapters didn’t go as well as planned, or maybe life just got busy and you found yourself unable to stick with your goals. Whatever happened, try reminding yourself of what made you pick up a pen (or a keyboard). Perhaps it was because you had an interesting story to tell. Maybe it was because of something that inspired you personally. If nothing else works, try just picking up where you left off and see how far you get before your mind wanders again. You might surprise yourself.
Set Goals That Are Easily Reachable
Setting a goal that is easily attainable can help you take action towards your goal. If your goals are too far away, or unattainable, it may cause you to feel discouraged and give up on working towards your goals. To overcome writer’s block, set small goals for yourself, such as getting out of bed earlier in order to write for half an hour before work. Reach for something you can accomplish with ease so that you can build on your success and keep going. Reaching goals will motivate and inspire you to keep going. It is important that when setting these small achievable goals, they should pertain directly to whatever you are trying to accomplish in order for them to be effective.
When writing down these smaller goals, use positive language and state what you are going to do instead of what you will not do. This will help eliminate any negativity from creeping into your mindset about achieving your goal. Once you have created a list of easy achievable goals for yourself, create deadlines for each one. Having deadlines helps hold you accountable for reaching each goal and also keeps things realistic by helping avoid procrastination by giving you specific dates/times when each task needs to be completed by.
Start Writing
It might be difficult, but you’ve got to start writing. Anything. And if you can’t think of anything, write about why you’re struggling with that. Just get something on paper (or in digital). It’s OK if it makes little sense at first or flows like a ramble. Once you have some words down, edit them into something better later. But don’t stop until you feel you’ve gotten your thoughts out. The worst thing you can do is spend too much time sitting around thinking about what to say and never actually saying anything. Get those thoughts out so they can become actionable items for your brainstorming session.
The more often you force yourself to sit down and put pen to paper (or fingers to keyboard), the easier it will become over time and eventually it will become second nature. You’ll look forward to getting back into your project when other tasks try distracting you from working on your next big idea. So start writing, even if it’s something as simple as:
I’m not sure what to write about.
or
I don’t know where to start.
Just get something out there. And once you do, pat yourself on the back for a job well done!
For some, writer’s block happens so often they feel like it’s an inevitable part of the writing process. For others, they’re surprised by it time and time again when they’re doing something as simple as journaling or planning out an email to a friend. If you struggle with this common writing challenge, use these tried-and-true ways to overcome writer’s block and get back to writing.
-R.E.
The Importance of Filling Plot Holes
In any story, it’s important to tie up any loose ends that might have been left hanging. As writers, we call these plot holes because they are holes in the story that need to be filled in by the writer. When your readers think something makes little sense, you risk losing them, so it’s important to fill those plot holes with answers or explanations before someone else does it for you. Luckily, these tips can help you out with everything from basic dialogue to character actions and settings.
A Hole Issue
A plot hole is a gap or inconsistency in a storyline that goes against logic or narrative sense. Typically, it refers to missing information, events, actions, character traits, and motivations that are required to understand what has happened within a fictional story. It can also refer to conflicts within an otherwise solid plotline when aspects do not fit together as they should. In short, a plot hole is any piece of information that disrupts continuity.
A story with plot holes comes across as confusing and often seems to contradict itself. Because most people will give up on watching or reading something they find confusing, it’s important to catch these plot holes before you publish your book. Knowing how to find them is just as critical as knowing how to fix them. It’s surprising how many writers, who are meticulous about their characters, settings and descriptions, don’t pay attention to what happens in their stories once they write dialogue or plotting out action scenes.
A Bad Ride
It’s like driving down a road with constant potholes in the pavement; eventually you’ll either fall into one or your car will break down because it can’t handle the wear and tear. A plot hole could cause huge issues with continuity and can break a reader’s sense of immersion in your story if not addressed quickly. If you’ve spotted any plot holes, address them right away before they affect your readers’ perception of your work. If you don’t want to fix them yourself, consider having another person proofread for errors and holes in your narrative structure.
You may also hire someone who specializes in copy editing or developmental editing. Publishing companies often provided these services, but there are many freelance editors available online who can help you out for much less money than a traditional publisher would charge. You might even know someone who has an eye for detail—and doesn’t mind reading through your entire manuscript—who would help on spec (for free).
Of course, hiring an editor isn’t necessary if you’re self-publishing, but it is highly recommended. After all, no matter how hard you try to make your book perfect, there will always be mistakes that slip past everyone’s notice. Even big publishers have their fair share of embarrassing typos! Don’t let these mistakes turn off potential readers before they ever have time to enjoy your writing. Fixing plot holes is important if you want people to keep reading and enjoying your book(s) long after publication day.
Something’s Not Right
Loose ends need to be tied, plot holes need to be filled. Often, a character will say or do something with no previous explanation.
-A heroic passerby will know the exact location of the weapon secreted away pages earlier.
-A worried friend will simply fail to call and check on the person they show concern for.
-The antagonist prepares a trap in a specific location that is never revisited.
-An object goes missing from a scene, but the characters don’t seem to notice.There’s a chance that your readers are feeling similarly frustrated when these plot holes arise—they want answers, too! It’s important to remember that not every piece of information needs to be specified. However, if you create a gap in your story, it is your responsibility as an author to fill it.
Get Your Shovel
Your plot has holes in it, don’t you have to fix them? Sometimes plot holes are noticed right away and other times they don’t pop until several drafts down the road. The good news is that they can be fixed. The easiest way to fill plot holes is by either editing your work or explaining more clearly how things happen. However, sometimes fixing plot holes requires a little extra effort and can get confusing really quickly. In cases like these, writers have several options at their disposal.
Try writing all of your current plot points in chronological order. Once you’ve done that, look at them critically. Ask yourself how each event leads into another one. Look for situations where characters’ actions make no sense within their personalities or backstories. And finally, ask yourself whether everything makes logical sense. You want to see if everything fits together smoothly. If it doesn’t, then you have a plot hole on your hands.
Ask yourself what caused your plot hole? Then write three solutions for fixing that problem. If you discover a new plot hole later on, take note so you can add it to your list of story issues to address. Keep track of any workable solutions while they’re fresh in your mind because they’ll come in handy later on when it comes time to fill those holes!
Tie Off Those Ends
As you go through revision, make sure that each solution leads to a satisfying conclusion. If not, throw it out and try another option. Don’t be afraid to change your plot as much as needed until it’s seamless and complete. It’s a good idea to have a few backup plans in case you can’t think of anything. Even if you do, it’s nice to know that you have other options if your first idea doesn’t work out.
If there are multiple problems with your story and/or multiple holes, then start by fixing what seems like it will be easiest first. Make sure that whatever solution you choose addresses every issue before moving onto other ones! If not, then go back and try again until everything is resolved.
If your plot holes are difficult to fix, ask for help from an editor or trusted friend. Sometimes, just having someone else look at your work can make all the difference. A fresh set of eyes can often point out issues that would otherwise be overlooked. The important thing is not getting frustrated and never giving up! Remember: no matter how big or small they may seem, plot holes are just another part of writing that needs to be addressed.
How Did This Happen?
1.) Poor planning–It may seem obvious, but plotting out your novel before writing it will help keep all those loose ends tied together from beginning to end. It also gives you something tangible (the plan) by which to monitor your progress as you go along writing, so nothing gets left behind. Think about how much easier things would be if writing were just like following directions!
2.) Losing focus–Another common reason for plot holes is that we get too focused on one aspect of our story, leaving other areas in shambles. Perhaps we spend all our time developing one character arc instead of another or begin building an entire subplot before cutting it off because we think it has no relevance later on. Focus is essential when drafting and revising but know when enough is enough so that you can fully develop each important thread sacrificing no others in its place.
3.) Being unclear about what’s happening–There are two kinds of writers: those who outline and those who don’t. We see both methods have their pros and cons, yet those who outline often say they never have a problem with plot holes.
Either you haven’t put enough detail into your story, or you don’t know what information to reveal next. If you do not know how to fix these plot holes, try being more organized during the initial drafting process and outlining everything before moving onto chapter two. Also consider working with an editor, who can help point out where your book may lack details and offer suggestions on how to fill it all in properly.
Watch the Road
Keep notes on where you’re going: Even though plotting involves planning, things change during development. Jot down ideas as they come up, so you have reference points later on when questions arise, and you need clarification. Don’t be afraid to change things while remembering where they came from originally—this way, your idea isn’t lost but stays true to its original intent. Be flexible and remember that we set no idea in stone until it’s written into a story!
Going back over past writing sessions can also help jog your memory if you start to feel you’re missing something. A writer is nothing without their notes, after all. But what happens if you’ve never taken any? Make sure to keep an organized folder for your work, with folders for each story or novel you’re working on inside. You’ll find these particularly helpful when developing characters or world-building details. This system may seem intimidating at first, but once you get used to using it, you’ll realize how helpful it really is for organizing your thoughts and keeping track of important plot points.
-R.E.
The Fantastic Foresight of Sci-fi Writers
Ray Bradbury
Embed from Getty ImagesBradbury’s work predicted a lot of things that never happened, like an invasion by Martians. But Bradbury also got a few big things right. He correctly predicted we would live in a world with flat screen televisions and smartphones. His stories were so popular at one point NASA considered using them as textbooks for astronauts who had been in space too long. The hope was they’d want to go home because they’d miss Earth as much as most humans do.
Like many sci-fi authors, Bradbury also correctly predicted that we would use TV as something more than entertainment. We might not all have live feeds into our homes today (yet), but think of how often you check your Twitter feed, watch Facebook videos on your phone or post videos to Instagram on your laptop at home instead of watching it on your television. Bradbury’s classic novel Fahrenheit 451 tells us a lot about what reading will look like in the year 2049, and it’s not good news for traditional books. The world is rife with screens, e-readers and audiobooks everywhere, including floating above people’s heads via drones! A dystopia if there ever was one, but could you imagine now life without ebooks?
H.G. Wells
Embed from Getty ImagesIn 1914, after seeing men walk on stilts in a circus and watching World War I unfold from his home in London, Wells released Men Like Gods—about another world with seven sexes of peaceful humans who live for hundreds of years because of their perfect climate. This novel would inspire Aldous Huxley’s Brave New World and George Orwell’s 1984. In 1946’s The Shape of Things to Come: A Forecast of Things to Come, Wells predicted a future divided into three parts: an atomic-bomb-devastated 20th century that would end with humanity moving underground, a utopia based on equality and sharing above ground, and then finally another horrible war that left most of humanity dead before a new era could begin.
Later published as The Time Machine, that story described man devolving into ape-like creatures living underground while others evolved into more enlightened beings living above ground—shades of modern scientists predicting the discovery of humanoid aliens someday. No one realized then how uncannily accurate Wells’s predictions were until 2002, when astronomers found two planets orbiting around each other 150 light years away from Earth that circled their star at an exactly 55 degree angle—not a degree off what Wells had first described in 1895!
Mary Shelley
Embed from Getty ImagesMary Shelley wrote Frankenstein in 1818, and we consider it to be one of the first science fiction novels ever written. The novel tells a story about Victor Frankenstein, who creates a man out of dead human body parts. The man comes to life but has lost his ability to reason. He ends up killing his creator’s wife, which causes him much grief and he can never feel happiness again after that. It turns out that even though many years had passed from when she wrote her famous novel; she got some things right about how modern humans would live their lives decades later. There are some new technologies since her time, such as artificial intelligence and robots.
Perhaps being able to see into the future wasn’t so fictional after all. One thing she correctly predicted was how people could communicate instantly with each other around the world as long as they have access to technology; she described how Forbes was busy at his writing table, drawing up an agreement… sent off through the air…and deposited in a bank.
Another thing Ms. Shelley got right was how scientific experiments would play out; Dr. Frankenstein created a monster (in every sense of the word) which cost everyone involved their jobs, friendships, and social reputation. This happens often today in real-life scenarios. A scientist will come up with an idea for something new or exciting and create such a monster that others are horrified by what he or she did—they lose everything over it!
Kurt Vonnegut
Embed from Getty ImagesAs author Kurt Vonnegut once put it, science fiction writers are just looking around corners. While it’s doubtful that these sci-fi writers were truly clairvoyant, many of them had a few eerily accurate predictions. In fact, some people have called science fiction a self-fulfilling prophecy—we’re drawn to stories about space travel and time travel because they inspire us to invent such things in real life.
In Vonnegut’s classic novel Cat’s Cradle, he explored a near-future that featured a new element called Ice-Nine. In essence, Ice-Nine is water that is frozen at room temperature and when it comes into contact with liquid water, it crystallizes and turns everything to ice. While Vonnegut was not describing an entirely new element as such—Ice-9 has since been discovered in reality—he was notifying readers of what could happen if scientists could manipulate elements in ways we can only begin to fathom today.
Over 70 years ago, Vonnegut recognized that when it comes to science fiction writers accurately predicting future events, context is key: everyone seems to listen whenever Neil deGrasse Tyson speaks on astrophysics, but nobody really cares about your neighbor who knows just enough about chemistry to spout off about cold fusion. The lesson here? Just because a concept or product does not seem farfetched does not mean you should disregard claims made by science fiction writers who are trying their best to prepare us for tomorrow.
William Gibson
Embed from Getty ImagesIn 1984, William Gibson’s novel Neuromancer made several predictions about life in the 2020s. This was remarkable because science fiction writers are rarely correct with predicting specific future technology. For example, Arthur C. Clarke accurately predicted that we would have satellite television in his work 2001: A Space Odyssey and Star Trek creator Gene Roddenberry correctly expected global communications through videophones on Star Trek. However, these ideas were far from unique. Instead, they were logical extrapolations based on existing technology in their time (computers and space exploration). What sets Gibson apart is that he predicted phenomena that did not yet exist—or at least hadn’t been imagined yet by anyone else.
Gibson thought of himself as primarily a writer of speculative fiction rather than science fiction, but there’s no doubt his stories had an incredible predictive power. His novels foresaw technological breakthroughs such as GPS, Bluetooth headsets and automated stock trading before even those technologies had been invented themselves (all which appear in Neuromancer); he predicted credit card details might be stolen using other electronic devices back when many people still wrote down their security information; and perhaps most famously he foresaw online communities forming around identity theft before Facebook or MySpace even existed.
In the 2003 novel Pattern Recognition, he accurately describes both Google Glass and in-store advertising (now known as pulse marketing) eight years before they became real. His story also paints a picture of celebrity culture that is eerily similar to what we experience today. (Spoiler: One character says she wants to be famous on my own terms, not someone else’s long before reality TV.)
As fans of The Terminator and Blade Runner will know, some of Gibson’s visions don’t always turn out positively for humanity. However, his true value lies not so much in seeing what could happen–but imagining what could happen. People with knowledge of computer science may have known all along that computers would someday become capable enough to beat humans at chess and control our cars’ steering systems without driver input – without having to read Cyberpunk literature. Now that computers can do both things – does it change anything? Are our streets any safer? Do we live in a more Orwellian society?
Isaac Asimov
Embed from Getty ImagesAsimov is best known for his science fiction work, which included dozens of short stories and more than 50 novels, including I, Robot, Asimov’s most popular work. Along with his work on science fiction, Asimov contributed to knowledge of biology as well; he wrote several nonfiction books about robotics and evolution as well.
One such book was entitled The Sensuous Dirty Old Man (published in 1967) and made several correct predictions about human sexuality in it; among them were that by 2014 there would be video phones, virtual reality sex available through email attachments and time dilation machines for quick vacations. Some of these predictions might not be as titillating now, but it’s still worth mentioning them, given how strange they sound when compared to current day realities.
In his 1941 short story, Reason, Asimov predicted that a computer could defeat a chess champion. In 1997, IBM’s Deep Blue supercomputer defeated Garry Kasparov in game six of their chess match. More impressively, in 1989, Asimov also predicted more accurate weather forecasts and earthquakes with less than 1-point margin of error from actual seismic activity. The Foundation series, written in 1942 and published in 1951, is set when humans have colonized a large swath of space. It’s also written at a time before we had computers, much less internet. In fact, one of Asimov’s characters actually references something he calls an electronic brain, which isn’t any sort of networked computer but just a mainframe.
Written as part of a universe later called The Foundation Trilogy, these books deal with psychohistory, social science, political science and mathematics. Psychohistory deals with predictions within historical trends, while social sciences deal with predicting human behavior based on aggregate social interaction at various levels. While other works dealing with such material had been written previously, none had approached psychohistory like those found in Foundation. This came partially out of necessity because of technology being unavailable at the time – computers simply weren’t capable enough yet – though technological advances led directly into greater capabilities here too.
There are many reasons so many scientists and science writers cite him as one of their biggest influences today, especially considering how much prescience Asimov showed throughout his career. Besides Foundation, he also predicted stargates long before any credible person gave credence to that concept; even better, he did so without treating it like fantasy or magic, instead providing careful details on how hyperspace travel worked in theory while hinting at just what kinds of consequences going near light speed could bring if proper caution wasn’t used.
Ursula Le Guin
Embed from Getty ImagesNo science fiction writer has written more thought-provoking works about complex topics than Ursula Le Guin. Her novel The Left Hand of Darkness is one of her most well-known and celebrated books. In it, she explores themes like gender identity, language barriers, and society’s relationship with technology. Published in 1969, many predicted that Le Guin’s vision of a future without gender would never come to pass; they were wrong. One of her characters even mentions how our sex doesn’t matter. Today we’re still working toward an understanding that gender shouldn’t dictate our lives or actions—no matter what planet we live on!
In her sci-fi classic, Le Guin imagined a futuristic society where everyone is androgynous. Gender-neutral bathrooms are already common in some places—and not just in theory. The University of California, Davis has nine single-occupancy restrooms (out of 1,500 on campus) that anyone can use regardless of gender or appearance. Some districts have adopted similar policies for all their schools, ensuring that transgender students have access to proper facilities. Other locations aren’t as progressive. This year alone, lawmakers across at least five states have introduced bills that would restrict restroom usage to one’s birth sex as opposed to how one identifies. At least eight states currently allow discrimination against trans people based on religious grounds.
The Left Hand of Darkness was just one example: Le Guin predicted lots of things long before they happened! Her book Planet of Exile described glass windows that could be used as touchscreens, while City of Illusions predicted mobile phones through idintelevisors. There’s no question Le Guin influenced other writers and helped pave the way for other science fiction authors who came after her. That being said, she also predicted multiple aspects of modern life—when so many other futuristic authors couldn’t do so at all! It’s probably because she spent a lot of time looking at real-world issues critically and objectively.
If you want your sci-fi stories to have lasting value beyond entertainment purposes, then you might benefit from doing that same thing. Think carefully about who gets left out of dystopian narratives today — those people will be crucial for building up better worlds tomorrow.
Arthur C. Clarke
Embed from Getty ImagesIn a paper written by Arthur C. Clarke for Daedalus, published in 1972, he wrote: As early as 1976, people will communicate with each other from anywhere on Earth via satellite. In actuality, we had that capability decades before then; when Clarke made his prediction it was already possible to connect through commercial services via trans-Atlantic calls. But by 1992, global coverage had made it possible for anyone to communicate with anyone else on Earth—and in real time. It’s important to note that while many sci-fi writers make bold and fantastical predictions, sometimes they get incredibly mundane things right as well!
Stanley Kubrick’s depiction of an orbital office complex in his 1968 science fiction epic 2001: A Space Odyssey looks uncannily like modern offices that people work in today. Both have desks lining walls, people sitting and working at them, and other similar features. The film was based on a book by Clarke that similarly featured office buildings outside of Earth’s atmosphere where people telecommuted. In both cases, these are set up as long-term solutions to humanity’s need for space settlement and industry; getting humans off our own planet would help combat overpopulation issues as well as provide us with more room to expand out into space.
Clarke also predicts that humanity would achieve super-intelligence by having computers implanted in our brains—which has not happened (yet!) However, advances in neuroscience have shown that it is possible to create electronic interfaces between people and computers. Recently, an amputee controlled a robotic arm with just her thoughts; researchers say that implantable electrodes could make more advanced prosthetic limbs as well as allow paralyzed people to control robot surrogates with their thoughts. These are steps toward Clark’s vision of humans controlling machines with our minds.
Keep Looking Forward
Science fiction writers have always been fascinated by the future and how technology and human interaction might evolve, leading many to make various predictions about what we might expect to see in years to come. Some of these predictions were far-fetched, while others were surprisingly accurate, but either way they’re fun to look back on today and consider which ones actually came true.
Given that sci-fi writers are technically futurists, their predictions are fairly easy to assess. There’s not always a high hit rate (though there is often enough to fuel our collective sense of wonder), but it’s pretty clear that science fiction writers have and will continue to have strange insight into our future. So, when you’re watching Futurama or reading 1984, remember that many of its predictions have already come true—and keep your eyes out for more odd realizations in upcoming works from some of history’s greatest speculative minds.
-R.E.